Good Hair (2009)
October 9, 2009
Look but Don’t Touch: It’s All About the Hair
By JEANNETTE CATSOULIS
Published: October 9, 2009
When one of Chris Rock’s young daughters asked, “Daddy, how come I don’t have good hair?,” the comedian decided to investigate the complex, often troubled relationship between African-American women and their crowning glory. He had no idea what he was in for.
Embarking on a journey that would take him from beauty shops in the United States to a Hindu temple in India, from a hair show in Georgia to a product-manufacturing plant in North Carolina, Mr. Rock unearthed a world of physical, financial and psychological hurt. But though “Good Hair” embraces the pain, digging gingerly into wounds both political and personal, the film feels more like a celebration than a lament. Spirited, probing and frequently hilarious, it coasts on the fearless charm of its front man and the eye-opening candor of its interviewees, most of them women — including the actress Nia Long and the hip-hop stars Salt-n-Pepa — and all of them ready to dish.
In fact, one of the happy consequences of “Good Hair” should be a radical increase in white-woman empathy for their black sisters. Whether in thrall to “creamy crack,” a scary, aluminum-dissolving chemical otherwise known as relaxer (what it’s really relaxing, observes Mr. Rock astutely, is white people), or the staggeringly expensive and time-consuming weave (often available on layaway plan), the women in the film bare heads and hearts with humor and without complaint.
For the Rev. Al Sharpton, though, that’s part of the problem. “We wear our economic oppression on our heads,” he says, wryly bemoaning the migration of the multibillion-dollar, black hair-products business from African-American to predominantly Asian manufacturers. Oppression takes on a darker hue, however, when the film travels to India to unearth the unwitting — and unremunerated — suppliers of all that weave- and wig-ready hair: poor, devout women who offer it to their priests in a religious ceremony known as tonsure.
Competently directed by Jeff Stilson, “Good Hair” employs humor as a medium for insightful and often uncomfortable observations on race and conformity. The film’s only misstep is its fixation on the competitors in a flamboyant Atlanta hair show. Far more entertaining are the barbershop conversations in which ordinary men jovially gripe about their honeys’ hairdos; they’re a brotherhood joined in financial commitment and — thanks to hands-off-the-head decrees at home — emotional frustration.
On a recent “Oprah Winfrey Show,” Mr. Rock ran his fingers excitedly through his host’s luxuriant, natural tresses, unloosed in honor of the visit. “I’ve never done that to a black woman!” he marveled, while Ms. Winfrey, who used to threaten to shave her head when she reached her 50th birthday, giggled delightedly: at that moment, she was just happy not to have followed through with her threat.
“Good Hair” is rated PG-13 (Parents strongly cautioned). Chemical treatments and revolutionary sentiments.
Good Hair
Opens on Friday nationwide. Directed by Jeff Stilson; written by Chris Rock, Mr. Stilson, Lance Crouther and Chuck Sklar; director of photography, Cliff Charles; edited by Paul Marchand and Greg Nash; music by Marcus Miller; produced by Nelson George, Mr. Rock and Kevin O’Donnell; released by Roadside Attractions. Running time: 1 hour 35 minutes.
