Sunday, November 06, 2005

Patrick McDonnell is the voice of MUTTS

N PERSON; Where The Mild Things Are



By GEORGE GENE GUSTINES (NYT) 1551 words
Published: September 25, 2005

THE comic strip ''Mutts'' is a throwback. Its daily tales of Earl the dog and Mooch the cat ooze an archaic innocence (and sometimes an anarchic knowingness) that would not have been out of place in a Sunday comics supplement from the 1920's. It's easy to imagine Earl and Mooch rubbing panels with classic strips like George Herriman's ''Krazy Kat'' or E.C. Segar's ''Popeye.''

The award-winning ''Mutts,'' which appears in nearly 600 newspapers in 20 countries, is certainly one of New Jersey's sweetest exports.

The keeper of the ''Mutts'' menagerie is Patrick McDonnell, who lives in a large house in Edison with hardwood floors and teeming greenery, with his wife, Karen O'Connell; their dog, Earl, and the inevitable cat, MeeMow.

Sitting in his sparely furnished studio one day recently, Mr. McDonnell, 49, who has the gentle air of a favorite uncle, gazed out the window and said, ''The strip is about a quiet joy, so it's nice just to look out at the trees.''

Quiet joy aside, these are boom times in Muttsville. Mr. McDonnell's first children's book (starring Earl and Mooch) is about to be published, the strip's mini-merchandising empire is chugging along, and there is talk of a ''Mutts'' television cartoon.

The children's book, ''The Gift of Nothing'' (Little, Brown, $14.99; Oct. 5), is a project close to Mr. McDonnell's heart. ''It's something I wanted to do for a very long time,'' he said. ''It's based on a story that appeared in 'Mutts' a few years ago. It's about Mooch wanting to give Earl a gift.'' But when Mooch sees everything that Earl already has -- bowl, bed, chew toy and more -- he is forced to get creative. ''He decides to get him nothing.''

''But,'' he added, ''he's also giving everything of himself.''

While the children's book is a nice bonus, the most important thing to Mr. McDonnell is the comic strip itself. ''Mutts'' takes place in a winsome dreamscape reminiscent of the work of Mr. Herriman and Mr. Segar -- who are two of Mr. McDonnell's heroes -- and is populated by characters like a girl named Doozy, a tomcat named Noodles, and squirrel hooligans named Bip and Bop.

Mr. McDonnell's work on the strip has received many accolades. In 1999, he was presented the Ruben Award for outstanding cartoonist of the year by the National Cartoonists Society. The award is named for Rube Goldberg. Mr. McDonnell has also won the Harvey Award for best comic strip six times since 1997.

Collections of the ''Mutts'' strips sell well. Andrews McMeel has sold more than 325,000 ''Mutts'' compilations in paperback. And in 2003, Harry N. Abrams published ''Mutts: The Comic Art of Patrick McDonnell,'' a coffee-table book.

This year has been a particularly busy one for Mr. McDonnell. There is the daily strip -- with a deadline that is never tamed for long -- book signings to attend, forewords to write and charity work to tend to. He is on the boards of the Humane Society of the United States and the Fund for Animals.

Earlier this year, Mr. McDonnell served as the guest curator at the Charles M. Schulz Museum in Santa Rosa, Calif., for the exhibition ''Top Dogs: Comic Canines Before and After Snoopy.'' Mr. McDonnell is writing an essay about Mr. Schulz, another of his heroes, in connection with ''Masters of American Comics,'' an exhibition that is scheduled to open at the Museum of Contemporary Art in Los Angeles on Nov. 11.

One of the places where all these strands come together is on the ''Mutts'' Web site, www.muttscomics.com. For example, Mr. McDonnell said, ''We've been selling little 'Gift of Nothing' boxes.''

While selling empty boxes might sound like the ultimate example of capitalism gone amok, that is not the case here. ''All the money went to Toys for Tots,'' Mr. McDonnell said. Indeed, while product sales primarily help maintain the Web site, they also benefit many worthy causes, like the Wildlife Land Trust.

''Mutts'' products, including organic shirts and prints on recycled paper, are also environmentally friendly. Like the Web site, the comic strip is used to support animal-friendly causes, including pet adoptions and opposition to fur clothing. ''Nothing makes me happier than when I get letters from people saying they were moved to adopt,'' Mr. McDonnell said. In addition to dogs and cats, there are also buffalo and tigers to support.

''There's a little striped kitten named Shtinky Puddin in the strip whose passion it is to save tigers,'' Mr. McDonnell said. ''When I feel that it's right, I try to put that in the strip.'' Response to the tiger story has come from afar, including an e-mail message from Bittu Sahgal, the editor and publisher of ''Sanctuary Asia,'' a magazine published in Bombay devoted to India's environment and its endangered animals.

''We have a whole section of our Web site devoted to tigers right now,'' Ms. O'Connell said.

Mr. McDonnell is also doing his part to help the victims of Hurricane Katrina, by auctioning original ''Mutts'' artwork on eBay.

The commercial aspects of ''Mutts'' are handled by King Features Syndicate, which distributes the strip. Mr. McDonnell's belief in conscientious living means that licensing deals can prove challenging. The licensing deals for ''Mutts'' are still in their infancy, but if other comic strip characters are any barometer, they could generate hundreds of thousands of dollars.

Nisreen Shocair, the director of marketing at King Features, said that while Mr. McDonnell admired the licensing of ''Peanuts,'' the marketplace is now different and Snoopy and friends had fewer restrictions. In 1990, for example, ''Peanuts'' was part of a Happy Meals promotion at McDonald's. Mr. McDonnell is a vegetarian, so most fast-food tie-ins are not options.

Instead, Ms. Shocair has focused on natural-food companies, apparel (like yoga outfits featuring Earl and Mooch striking various poses), pet accessories and stationery.

Licensing was probably the last thing on Mr. McDonnell's mind when, around age 4, he dreamed of being a cartoonist. ''Peanuts'' was a strong influence even then. The ultimate payoff is evident in a framed page from the San Francisco Chronicle that hangs in Mr. McDonnell's office. The page contains the first ''Mutts'' strip. Mr. Schulz mailed him the page, wrote ''Good start'' and signed it ''Sparky,'' his nickname.

''Probably the nicest thing about becoming a cartoonist was I got to meet and become friends with my hero,'' said Mr. McDonnell, who grew up in Elizabeth.

The first big move in Mr. McDonnell's career was illustrating Russell Baker's Observer column in The New York Times Magazine. ''I felt like I had a little weekly cast of characters,'' Mr. McDonnell said. One of them -- ''a guy with a big nose and mustache'' -- resembles Ozzie, the main human character in ''Mutts.''

''I did that for 10 years,'' Mr. McDonnell said, ''the whole time thinking, 'I'd really like to try a comic strip one day.'''

One source of inspiration for ''Mutts,'' which was first published in 1994, has been New Jersey itself. ''Even though I never gave the name of a town of where they live,'' he said of his characters, ''it's definitely a version of New Jersey.''

Mr. McDonnell and Ms. O'Connell have been married for 22 years and have been together for 26; they met as members of the Steel Tips, apunk band that opened for groups like the Ramones and Blondie. It was a good time, but the art world, they said, was slightly more sane and lucrative.

They ended up writing ''Krazy Kat: the Comic Art of George Herriman'' (Harry N. Abrams, 1986); a paperback version was released last year. These days, Ms. O'Connell is something of a communications director at ''Mutts'' central. Among other things, she is responsible for all e-mail correspondence, because Mr. McDonnell does not use a computer.

They make a good team. Nowhere is that clearer than when they discuss time management: ''We have no life,'' Mr. McDonnell said. ''When you do a daily comic strip, it really does take a tremendous amount of time. To a certain extent, it really is our lives.''

Ms. O'Connell said, ''He tells me it's getting easier, though.''

''It is getting easier.''

''So then he takes on more work.''

''Right. Then I take on more projects.''

One of those projects is exploring the possibility of a ''Mutts'' television cartoon. ''If I do it, I really want it to have the same spirit of 'Mutts','' he said. ''I'd want it to have the same social conscious message.''

What about the extra commitment of time? ''It's work. But it's nice when you love your work.''