Sunday, November 27, 2005
salon reviews RENT
Who knew a movie musical could be worse than last year's over-the-top travesty "Phantom of the Opera"?
By Stephanie Zacharek
Nov. 23, 2005 | Oh, the plight of the struggling artist in New York, circa 1989: It's so hard to maintain your integrity when your parents keep leaving annoying, concerned messages on your answering machine, your old roommate marries a rich girl and is suddenly no longer amused by bad performance art, and, worst of all, your friends insist on dying of AIDS.
Chris Columbus' version of Jonathan Larson's alleged rock musical "Rent" spends most of its time congratulating itself on its own open-mindedness. Experimental filmmaking? Neat! Exotic dancing? Yeah! Homosexuality? Everybody into the pool! The movie's spirit of aggressive inclusivity reaches its apex in the noisy song-and-dance number "La Vie Boheme," in which the characters take over a bunch of tables in the middle of an East Village restaurant and mime several mildly non-missionary-style sex acts, just to show how open they are to alternative ways of, you know, living life. "When you're living in America at the end of the millennium," sings one character earnestly, in a different number, after he's tried to sell out and discovers the world of actually making a living just doesn't suit him, "you are what you own." Truer words were never sung, at least not since Florence Henderson donned a dirndl in "Song of Norway."
I wasn't sure a movie musical could be worse than last year's styrofoam-and-gilt swan-boat travesty "Phantom of the Opera," but I'm afraid "Rent" proves me wrong. The early scenes aren't so bad: At least the performers, and the absurd lyrics they're asked to sing, have earnestness on their side. The crushed-by-life rock star (Adam Pascal), the aspiring experimental filmmaker (Anthony Rapp), the beautiful-but-troubled dancer (Rosario Dawson), all prance and pirouette with gusto through the big opening number, wondering aloud, "How we gonna pay last year's rent?" They may be poor, but they know what their assets are: Later Dawson, who has the hots for Pascal and hopes to jolt him out of the funk he's been in since his junkie girlfriend committed suicide, scoots down on all fours and sings, "They say that I have the best ass below 14th Street." The evidence, as it twitches before us, is irrefutable.
But because -- and consider this a spoiler alert -- "Rent" is a story about life, love and loss, someone is going to die, and you can bet it's not going to be the obnoxious, sub-Karen Finley performance artist played by Idina Menzel: The sacrificial lamb here is the sweet, beloved-by-all tranny (Wilson Jermaine Heredia, who at one point offers a reasonably enjoyable number dressed in a cute Santa-girl outfit, even if Columbus shoots the sequence with patchwork-quilt visual craziness). As if that weren't enough, we get a further milking from a shameless almost-death scene at the end of the picture, in which a character goes limp, supposedly hearing the angels' clarion call. Columbus' camera travels with unvarnished deliberateness down that character's dangling arm, lingering on the lifeless fingers, which, lo and behold, begin to twitch with life. Not 30 seconds later, the whole gang is laughing and hugging, remarking on what a close call that was. We get all the poignance of a death scene and still get to go home with our happy ending.
Looking back on that scene, I almost can't believe it wasn't some sort of sick joke. But "Rent" is dead serious. Even though the picture is jampacked with enthusiastic singing, it's devoid of any real feeling -- its robotic, "Up With People" vigor leaves behind a cold, metallic aftertaste. I never saw the stage version of "Rent," so I'm not sure if Columbus has cluelessly trampled on Larson's material or, worse yet, merely presented it faithfully. (Larson died of an aortic aneurym just before the play went into previews in 1996.) But either way, Columbus isn't graceful enough as a filmmaker to navigate the story's smiley-face/sad-face twists and turns. The movie feels cluttered and forced; the scenes clunk along with an oompah-band rhythm.
What's most disheartening about "Rent" is watching all these performers work so hard, for so little payoff: It's frustrating to have an ensemble of young actors who can sing and dance (among them the eminently likable Rosario Dawson, and Taye Diggs, who's wasted here), and to realize that this is the best material anyone has to offer them. There's very little that's remotely musical about "Rent": The songs are like a vaudeville performer's idea of that newfangled rock music the kids are so nuts about these days.
And then there are the lyrics: "I'm looking for baggage that will go with mine," coos one troubled character to her potential soul mate. "You'll be my queen, I'll be your moat," sings another character to the guy he's fallen hard for. Larson wrote "Rent" as a reimagining of "La Bohéme," an exploration of the beauty and pain of being young, poor and artistically inclined and striving to express yourself. It's a fine idea in theory, but in the end, "Rent" is about nothing more than the oppressiveness of other people's self-expression. The depressed rock star in "Rent" takes a year to write one song. But the three minutes we spend listening to it seems interminable.
Stephanie Zacharek is a senior writer for Salon Arts & Entertainment.
Story finder (3 ways to search S
thanksgiving week
I decided to go to MAssachusetts and see how hte brakes were.
well 95 became a 3-6 parking lot and my new brakes got broken in. when i cleared 95 for 91 and then 84 i was cruising on at a great clip but i lost 2 hours travel time on 95. I made it to my parents with kitty o' love none worse for the wear. i picked up dinner and ate talking to my dad.
i got up wednesday and dropped my car off at the glass place. on my trip back from philly recently, i got hit by the flying rock and it nicked my windshield pretty bad so my dad called MILFORD GLASS and they could do my car wednesday and Bill my insurance directly for NO OUT THE POCKET costs to me. GLASS coverage is great.. so the toyota went to the shop and i went to WEight watchers in my father's maxima..
my mother went to meet my aunt and i met up with dad at home. i changed and we went to the bank, to get coffee, to the grocery store and the post office. we came home and i made these jello and yogurt and cool whip pies that i had made before.
MY neices have elevated PKU levels so they cannot have any sugar or fat free products, Those disclaimers that warn for Phenylalaine is for them. so they asked if i would make these pies especially for them. SO i did.
I then went to target with my dad and got home and my car was ready. I didnt have time to go to the outlet mall so i went to dinner with my parents.
Thursday, i woke up to a blanket of snow. I went out for coffee and the papers and ended up at BRooks or CVS twice for crap my mom forgot. Applesauce, PAM etc. it was cold in Massachusetts and my sister in law came over to start to cook. I had to run interference with her use of butter on veggies. She uses a stick of butter on everything. I baked butternut squash and a baked YAM and baked haddock and ate broccoli. I was able to avoid her peas, corn and pearl unions, mashed potatoes.
i played Rummy with my neices.. well i coached heather for a while. I looked at paiges cards and katies cards and cheated for heather. I didnt talk to my brother or my brother in law really. i dont have anything to say. My sister and i charted her black friday shopping.
i took her kids and she hit the stores. She hit the doorbusters on wednesday night and got some great bargains. She was going to sears and jc penny to get TVs and play station crap.
Paige and heather and i played cards and talked about current events. THey said they didnt care about the environment til we started talking about the ozone layer and hybrids and the oil prices and how the rainforest is being killed off. Paige talked about the second world war and hitler and asked alot of questions about the crematorium and the holocaust. she lives in a town where racism is rampant and she cannot disclose she is a jew. Kids walk around saluting hitler and we got to talk about how the town she lives in has the KLAN and the history of having the KLAN. crosses were burned on the neighors yard. my parents were talking with us about current events . i told paige about Anne Frank and how there were christians in europe who helped save jews. My dad will get them Schindlers list and i will send Paige the Diary of Anne Frank.
Unfortunately when you are the minority in a small new england town, you tend to want to hide. I still found myself putting my star of david in my shirt in NO WHERE North Carolina. Growing up as one of 35 jewish families, you learn to be unsafe. WE got to talk to paige about how unsafe being a jew facing anti semitism can feel.
paige and i watched FLY AWAY HOME and heather and katie watched Finding NEMO. they asked if they could sleep in my bed while i slept on the couch. Friday, i made em breakfast as my mom went to get her hair done and then i went to Kohl for their doorbuster. I scored the kids, Disney SCENE IT. These scene it games are DVD guessing games. So they had Harry Potter and wanted disney. I got it for more than 10.00 less then it was being offered. I went to get myself the MAGIC BULLET and got two pairs of levis and some socks.
i got home and we were ready to leave to go see Harry Potter. I liked this movie better than the last one. Paige has a learning disability so she doesnt read the books, Heather and Katie absorbed them this summer and read em all so they know more of the story and quoted me names and places. i had them bring me HP 1-3 so i could read em. so i brought them home with me. I will fill in the story and ill see the movies again
I really liked the movie. My father wanted more magic and my mom drifted off. She too is learning disabled and cant follow the plot lines easily. THe kids stuffed themselves on popcorn. I ate an apple. and we went back to my parents after a trip to the dollar store.
my sister, brother and their spouces were at my moms and we ate dinner. I then went shopping at Target again. i wanted the 4.14 crock pot for two and a new coffee maker for 4.14 as a spare.
saturday, i went to the outlets in wrenthem after i went to Kohls with my mom to get my neices some bras. I got two bras (thanks mom) and some cash from her. She paid me for the Kohls cash i got on friday and for some gift cards i had. I ended up with cash, she got the product
i went to the gap outlet and Liz Claibourne and ended up with sweaters and some shirts. I went to corning and bought some muffin tins (buy one get one free) and some pyrex bowls. I got gifts for Carol my favorite WW leader and i got my secret santa crap. I bought water proof boots for winter at BASS for 35 dollars and i bought gloves
i met up with my parents and we went to RENT. i was self conscious because of the topics and characters in the movies and was concerned about my parents response. They liked the movie and the characters. My mother thought that it was typical NY bohemia of the late 80s and thought some of it was dated. My dad didnt say much. I think i will see the movie again. I remember when they were filming it on Wooster street. I really understood better than the stage play. I think Angel needed a larger role and tie the characters together like she did in the play. The play was more confusing due to the limits of the setting but the plot is the same. I liked the movie alot.
i saw rent over 10 years i think. we had tickets for kids and i sat in the back of hte balcony on a snowy snowy january night. the theater was warm. it was cold and it was around my birthday. I remember the winter in the play and in the movie. I remember the night i saw them filming the scene where MIMI and Roger hook up and how they were making snow in soho while i walked to canal street. The large street that abuts the LOFT is supposed to be canal and Thompkins square park and 2nd ave are in the movie. I love seeing NYC in movies
i will not see KiNG KONG but ill see memoirs of a geisha and Munich. I remember the night Jim McKay reported the Israeli wrestling team was killed. I woke my parents up to times. i stayed up later and woke them when ARmstrong walked on the moon and the night the israeli wrestling team was killed. I remember being in tears for the loss.. the jews of the world felt that loss.
last night, i went to dinner with parents and i got up early and drove back to NY. I am going back to work a day early. my new boss seems to sign off on time off and then use it in emails or verbally as punishment. I dont need the day so i cancelled a day off. i emailed her and informed her that i would be back at work.
so i will go back to work... ho ho ho
Tuesday, November 22, 2005
Sunday, November 20, 2005
thanksgiving
Then thanksgiving day became about going to the HIgh School football game. when Milford HIgh school played St Marys it was weeks of rivalry and the winner had bragging rights for a year. It was the Public education against the only Catholic high school in the area. THere was always an undercurrent of tension, Thanksgiving day allowed it to be played out in the open. Medway vs Millis, the high school of my mother and my cousins still have a 60 or 70 year rivalry today.
when St Marys closed down, it was milford vs Shrewsbury. We didnt know them, they didnt know us. they were people, just a team to beat.
going to the games in sweaters and leather gloves was more about being seen and who was with who then about the game, To fit in you went to the game
once i went to college, it was about coming home and being with relatives who i realized i didnt like. My cousin Norma loved the Macys day parade. the holiday became about who did the work and who didnt and sneaking off to smoke cigarettes. Thanksgiving day didnt have the same meaning
one thanksgiving, my aunt and her clan decided not to come over at the last minute. Leaving my mother like a deflated balloon as my cousin's wife was cooking for them. Years of tradition... 40 years of tradition down the drain. The holiday changed again
my mother cooked and i invited my neices for a sleep over to cheer my mother. That sleep over continues. the kids come over and we watch movies and we eat popcorn and get goofy. My mom has them to replace the fact that her sister stiffed her and left her deflated. My neices will get donuts for breakfast (they love em) and we will go to see the latest HOTEST movie. Again, another Harry Potter movie.
another thanksgiving, now my sister in law cooks at my moms.. her sister refused to come to her so she and her dad will come to my mom.. she uses too much butter and really isnt flexible in her cooking. so i end up with separate meals.. i will take my neices for a walk and watch DVDs and play cards with them.
maybe ill take pictures of them and let them take pictures of me...
i am leaving on tuesday and will be there wed- monday..
i have lots to be thankful for this year and every year
walk the line
Walk the Line From Imbd
Finding the trauma in his life whisked away by the power of song, Johnny Cash (Joaquin Phoenix) commits his early years to understanding how music works, and looking for his big break. After marrying young (Vivian Cash is played by Ginnifer Goodwin), Cash soon takes to the road, touring along with Elvis, Jerry Lee Lewis, and June Carter (Reese Witherspoon) while his records climb the charts. Unsatisfied with his situation, Cash soon starts to chase Carter, who reluctantly gives in to him and soon regrets her decision when Cash's life dissolves into a kaleidoscope of anger, pills, and disappointment.
Writer/director James Mangold clearly has a soaring affection for Johnny Cash, since "Walk the Line" is a straight-up love letter to the late, great singing legend. However, in his effort to illustrate the power of will Cash demonstrated in his life, Mangold's focus is thrown askew, making "Line" all about Cash's demons, and displaying almost none of his joy.
Cringingly, "Walk the Line" is as formulaic a biographical picture as can be made. "Line" follows the same route as last year's Oscar winning "Ray," taking the audience on a ride through broken childhood, professional growth, heavy womanizing, and ultimately drugs and despair. It seems that anything related to music has to follow these pathways; yet, these films continue to be made, completely oblivious that they are all alike. Mangold is a director with some sense of personality ("Girl, Interrupted," "Cop Land"), so it's a surprise that he would stoop to keeping "Line" so attentive to the familiar. Thankfully, Cash's cinematic story is a convincing one, taking the singer from the tragic loss of his older brother as a child to the heights of fame to his stormy courtship with the unresponsive June Carter. "Walk the Line" is basic to a fault, but it has the raw materials to get it at least halfway to success.
Taking the film the rest of the way are the performances, which are spellbinding. Joaquin Phoenix takes the challenge to impersonate Cash very seriously, and he sweats, glares, and stalks his way to a meticulous performance. In a dramatic choice, Mangold has instructed his cast to do their own singing, allowing the performers to slip into the skin of the songs and feel around. Phoenix does a spot-on job mimicking Cash's baritone and swagger, at times becoming one with the man in black. Phoenix is no stranger to jittery, internalized roles, so his domestic Cash is decent work. It's only when Phoenix hits the stage does the audience see just how far the actor has dug into his role. The concert sequences are electric, and prop the film up when Mangold finds himself wailing the audience over the head with Cash's dark moments.
Reese Witherspoon's performance is the real surprise here. Also doing her own signing, Witherspoon has the perfect twang to bring June Carter to life. Her chemistry with Phoenix onstage is worth the price of admission alone, with the two actors making every moment together in performance glowing (also crucial to their characters). Unfortunately, when Carter is off the stage, the script reduces her to a nag, constantly berating Cash about his lifestyle choices. Mangold isn't particularly kind to women in "Line," and maybe that's the way Cash saw his own life. For the film to work, however, Carter needed to be seen as a siren that Cash couldn't live without, but that feeling is never solidified. Instead of swooning over the couple and their battles to love each other, "Line" becomes a giant exercise in figuring out just what Carter saw in Cash in the first place. Not quite what Mangold had in mind, I'm sure.
As "Line" delves further and further into Cash's addictions and downward spiral, less time to given to his musical triumphs, robbing the film of a true depiction. The legendary Folsom Prison concert, which lightly bookends the film, is a powerhouse, cleanly displaying the fire in Cash's belly, as well as his mischief. There isn't enough of that in "Line;" the dedication to the drug abuse encompassing way too much screen time, and steals away focus from the romance in the Cash and Carter union. "Walk the Line" only tells part of the Cash legend (the film ends in the late 1960s), with a heartbreaking coda (which states that Cash died in 2003 a mere four months after June), hinting that perhaps Mangold was looking in the wrong era to find out what made Johnny Cash tick. ---- 6/10
___________________
my personal opinion is that is a good movie. not a great movie. I liked that JP and RW did their own singing and i think that the chemistry between them waxes and wanes. I love the love story. The committment as friends. Their relationship is the centerpiece of the movie and i love how the movie is organized. From FOLSON PRISON and then in flashback
its similar to RAY but so wasnt CAsh's story.
i love that the other SUN artists were cast and did their own singing. I walked out wanted to know more about JUNE, maybe cuz i know alot about Johnny. I loved Reese WItherspoon in this role.. OSCAR NOMINATIONS all round
its a MUST see
Saturday, November 19, 2005
dreams of tickets and the mcgarrigles/wainwrights
I dreamed that i was at brownstone, like the ones in park slope and in the basement or lower apartment was the Mcgarrigle sister, I saw the family clan. Rufus Wainwright and Martha heading into the apartment. The feeling of the dream was i was watching it more than i was in it
Thursday, November 17, 2005
dreaming again
dont ask anything else about it.
i have been sleeping fine except that oNE Time i wake up about 4am...
chicago has been a dream theme
Wednesday, November 16, 2005
Capricorn Horoscope for week of November 17, 2005
Verticle Oracle card Capricorn (December 22-January 19)
In their new book The Truth Will Out: Unmasking the Real Shakespeare, Brenda James and William Rubinstein make an interesting case for the theory that the real author of Shakespeare's works was the diplomat and courtier Sir Henry Neville. I'm not sufficiently knowledgeable about the subject to evaluate their arguments, but I'm pretty sure that you will soon have a feeling similar to what Neville might be having if he were alive. Some reward or credit that has long been denied you will finally be yours. Vindication is nigh.
dreaming again
I dreamed about something having to do with Chicago. The city not the musical but i saw a version of the word Eiliat or Eilat or Eliat in my dream and i am not sure if it refers to hte Israel city or some other obscure reference from my subscious
i know that I had something to do in Chicago...
snippets anyone
Tuesday, November 15, 2005
dreaming again
the Loss of blood can mean a loss of energy and fatigue and loss of the life force
in another dream, i had a card or program that at locations on it. point pleasure was one of the places on the map. In the dream, i handed the card to Natalie Merchant who is not longer being called MS Merchant ( in the dream, at least) and she playfully drew and wrote on the card. she outlines the maps and in black sharpie wistfully played with the drawings, added her own. When she handed it back to me, i was surprised she was so playful. Point Pleasure was outlined on the card
Sunday, November 13, 2005
looks like Participant studio is socially responsible
Participant studio who produced North Country, Good Luck and Good Night and Syriana
have webpages where forums of discussion about
informedia vs news for Good NIght and good Luck
Domestic Violence and Sexual Harrassment for North Country
and OIL usage and dependance for Syriana
its socially responsible movies and movie going .
i saw good quality movies and supported causes as well
Last weekend, i saw Good Luck and Good Night.
george clooney directed this black and white movie depicting Edward J Murrow's expose of the McCarthy Hearings with the underlying themes of being accused of being guilty without evidence and how government can ruin the lives of people who are deemed Enemy of the state. In 1950, the media had to present both sides so McCarthy is allowed a rebuttal. News clips are used brilliantly by Clooney. Look for the oscar nomination for David strahairn as Murrow is magnificent and Clooney as fred friendly is great. Langella as Paley and Downey Jr is great too
there were some girls who were analyzing the character development and superficial plot. I informed them that Clooney's real state is the current state of the MEdia today and role of the government in making dissenters enemies of the state.
they just didnt get the analogy.
I then saw Chicken Little in 3D
its not the best movie but the characters are cool. The plot falls a part with the aliens and i thought that it would have been clever to add some ET references, which i missed totally. the little stranded alient sets the audience up for ET but fails to use that.
the Mallad who read beauty magazines so she can overcome being the ugly duckling and the runt of the little who self soothes by singing 70s r&B tunes are the best. Chicken Little has references that GO way over the kids heads but made me laugh and Garry Marshall is a great dad's voice
i loved the 3D and kept peeking beyond the glasses to see the screen
lots of the kids cried to have to wear them. the ages of the kids would be important to keep the glasses on
This weekend i finally caught North Country
i loved the midwest accents, Midwest culture that is depicted and the Dylan soundtrack
Charlize Theron doesnt take the easy road out. Her characters and performances are always intense. The theme of Domestic violence, Sexual Harrassment, Loyalty to oaths and the brotherhood, Union loyalty, and standing for what you believe and what is true run through the movie. Its an oscar nomination performances for Sissy Spacek, Robert Julien and Charlize Theron.
lastly a few weeks ago, i saw Capote
the story of Truman Capote from when he reads about the murder of the family in Kansas and pursuades his NYer Editor that he and his personal assistant Harper Lee are going to investigate to write an article for the NYer. It soon is obvious that his a book. The book becomes IN COLD BLOOD. Capote is depicted as a spoiled narcissistic devious imp who is determined and manipulative and getting the story that he wants. His impatience and arrogance and lack of understanding of those around him is putting it kind. Phillip Seymour Hoffman becomes Capote as Strahairn becomes Murrow. Look again to the Academy to nomincate PSHoffman for his portrayal of Capote
celebrity sightings
1. Lou reed was two rows behind me at suzanne vega at zankel hall
2. huey lewis was on 7th ave coming from Whole foods
3. mayor koch was buying two tickets to the 725 show of Derailed at the union square theater. I then saw him again as he was entering and i was exiting. He was alone. and so was i
Thursday, November 10, 2005
mooch is the kitty o love
i am BIG BIRD
Big Bird You scored 72% Organization, 66% abstract, and 66% extroverted! |
This test measured 3 variables.
If you enjoyed this test, I would love the feedback! Also if you |
![]() |
| Link: The Your SESAME STREET Persona Test written by greencowsgomoo on Ok Cupid, home of the 32-Type Dating Test |
kay gibbons on Success
KG: I would’ve been surprised had I stumbled blindly into any of it, scratched a lottery ticket and found a prize that would then take me through the rest of my life. I wasn’t “lucky” that the books sold. I wasn’t “surprised” to learn that they’re also taught in literature classes. That sounds arrogant, but it’s not. To be able to write literature that sells takes an almost surreal amount of stubborn persistence; imagination; the ability to forego distractions, such as vacations, men, alcohol; and a willingness to lock oneself in a room and submit oneself to constant, ruthless self-criticism. If a writer is any good, he or she will criticize himself so unmercifully that the reader and the reviewer either have to be misguided or wrong to make too much of a complaint. And there’s something almost fun about fixing that deal in place. That sounds arrogant, and it may be. But it’d be more arrogant to subject readers, nice, hopeful people, to 250 pages of words I had not tried to perfect, that I’d merely typed, as Hemingway said of meaningless writing. I know when it’s being done to me, when clichés are bound or filmed and sold, and I don’t appreciate it, the disrespect for this gift of language and for the people we’re offering it to.
But getting there, to that lucky, sacrificial place, requires long, long stretches of unbroken concentration and more Diet Cokes than most people can or want to tolerate. I love the labor, the sheer manual labor that goes into making these books seem as though they were effortlessly written. I love what has come to feel like a habit of invention. I go about my days stunned that I didn’t waste what Walker Percy called a “knack” for writing.
And there’s the grace that comes when I’m in my daughters’ presence. I go about stunned that I didn’t drop or misplace my children or cause them to be expelled from school for repeating what they learned at home. You see, I live alone with three smart and sober teenage girls—it has taken skill, patience, stamina, and that same kind of “knack.” And like this 40-year custom of reading and writing, the girls are a seriously profound, sustained joy.
You see, I love what I do. I raise three human beings, and I do language for a living—it’s only as terrifying as it is lovely.





